Explore the World of Arts and Entertainment
Discover, enjoy, and celebrate creativity every day!
Explore the World of Arts and Entertainment
Discover, enjoy, and celebrate creativity every day!
Discover, enjoy, and celebrate creativity every day!
Discover, enjoy, and celebrate creativity every day!

Revelations In Color is a powerful full-color exhibition Ebook catalog where scripture, history, and identity collide. Featuring 30 vivid works by Odalo M. Wasikhongo across 75 immersive pages, this book transforms biblical revelation, ancestry, and resistance into living color and unapologetic truth.

Black History is not a chapter—it is a continuum.
47 – Now I See, Still We March On stands within that continuum as a living testimony.
“47 | Now I See, Still We March On” Odalo M. Wasikhongo’s work is both personal and collective—a visual meditation on Black life, Black memory, and Black becoming. Drawing from Amazing Grace (“…I once was blind, but now I see…”) and Lift Every Voice and Sing (“…let us march on till victory is won”), the painting binds spiritual awakening to historical endurance.
Across the surface, moments of inherited struggle burn beside hard-won clarity. Figures emerge from fire, shadow, music, and prayer—echoing generations who learned to see clearly while navigating systems designed to obscure, erase, or confine. Handwritten declarations cut through the composition like affirmations passed down in whispers, sermons, songs, and survival.
This is not nostalgia.
This is reckoning.
This is reflection without retreat.
47 – Now I See, Still We March On honors those who came before, acknowledges those still walking beside us, and speaks directly to those yet to rise. It confronts internalized doubt and inherited limitation, not with denial—but with vision. The painting insists that clarity is earned, courage is practiced, and progress is carried forward by those willing to keep moving, even when the path is unfinished.
For Black History Month, this work reminds us:
Seeing is an act of resistance.
Remembering is an act of power.
And marching—still—is an act of faith.

“This body of work is a visual testimony.
Each piece exists because of a question I couldn’t ignore—about faith, history, and identity.”
Odalo M. Wasikhongo is a visual artist whose work merges storytelling, spirituality, and expressive form. His practice centers on painting as testimony—using color, text, and symbolism to confront historical omissions and illuminate spiritual continuity across generations.
Wasikhongo’s work invites viewers into a space of remembrance and inquiry, where scripture and history intersect with personal and collective identity. His paintings challenge conventional narratives while offering a contemplative visual language rooted in faith, resilience, and cultural restoration.
“Our mom was always a huge influence," they share.
Odalo recalls sitting on the floor as children, coloring together: “We’ve always done creative work, both together and apart.”
When viewing the artwork, "each piece is its own conversation," notes Odalo. "I hope people ask themselves, 'What is the artist saying? How does this work impact me?'"

“We have both been in different places, on different journeys, filling our baskets separately—but now we are coming together to share it,” Comfort says.
Odalo’s work reflects his spiritual journey and the intersection of faith and art.
"I use my art to explore my relationship with God, to understand the challenges I’ve faced, and to express gratitude for the blessings I’ve received," he says. "My work is about finding joy and meaning, even in life’s struggles."
ART EXHIBITION
Unraveling the Threads of Modern Masculinity
Aquae Nguvu Gallery & Studio,
Marshall Building
207 East Buffalo Street,
Suite 130
Milwaukee, WI
NOVEMBER 21, 2025 - JANUARY 31, 2026
OPENING NIGHT: NOVEMBER 21, 2025
5:00pm-8:00pm with the Artists